Y.S. 2.40 – How to Be a Master of Breath (Pranayama) | Article

बाह्याभ्यन्तरस्तम्भवृत्तिर्देशकालसंख्याभिः परिदृष्टो दीर्घसूक्ष्मः॥५०॥ bāhya-ābhyantara-sthambha vr̥ttiḥ deśa-kāla-sankhyābhiḥ paridr̥ṣṭo dīrgha-sūkṣmaḥ  Pranayama manifests as external, internal, and restrained movements of breath. These are regulated and made long and subtle in accordance to place, time, and number. bahya = externalabhyantara = internalstambha = holding, restraint, suspension, stationary, retention, cessation, transitionvrittih = operations, activities, fluctuations, modifications, changes, or various forms of the mind-fielddesha = place, spot, space, locationkala = time, period, durationsankhyabhih = number, count ofparidrishtah = regulated by, observed by, concentrateddirgha = made long, prolonged, slowsukshmah = and subtle, fine When we master breath, we master life itself. This is the belief of the yogis, and tested throughout millennia are the practices presented to us known as pranayama. While asana reduces rajas or restlessness and agitation, pranayama helps to eradicate the tamasic or dull, heavy, delusional qualities of the mind to bring it back to its original inner radiance (sattva). Patanjali highlights 9 parameters for mastery over the pranic force: 1. Exhalation - T. Krishnamacharya said that there is nothing one cannot achieve if one has complete mastery over the exhalation (rechaka). And this is the starting place for us as Patanjali advises. We must first master a slow, long, deep and subtle exhalation, removing all pauses and jerkiness in the breath. That is why all yoga practices begin with learning diaphragmatic breathing, rather than chest breathing, which ensures proper relaxation of the parasympathetic nervous system, as well as the ability to gain a deeper understanding of our mind states. By having a complete and deep exhalation, we empty the stale air from the lungs and increase our capacity for the inhalation as well. Exhalations then become like a tel dhara, or an unbroken stream of oil. One of the best ways to expand our exhalation capacity is to use sound or omkara (chanting the mantra OM) 2. Inhalation - Next, once exhalations have been mastered, Patanjali advises to begin to master our capacity for longer, deeper inhalations (puraka). Inhalations are taken into the body as though one is drinking water from a lily stem - a smooth, unbroken, cool, refreshing stream of prana. Shitali pranayama can be an excellent way to begin to learn to draw the breath in a gracious manner. Like the exhalations, this stream can be trained to remove any jerks or pauses 3. Breath Retention - Breath retention or kumbhaka begins to enter the realm of more advanced pranayama practices - ones that are entirely necessary to be successful in entering the deeper layers of not only the internal organs, but also the subtle pranic body (pranamaya kosha). After mastering the exhalation, then the inhalation, the practitioner (yogabhyasi) begins to work on retaining the breath after inhalation for a pause (antara kumbhaka), felt more in the upper chest region. Eventually, one can practice sama vritti - or the same count for exhale:inhale:retention for at least a count of 5:5:5. When one has really mastered the retention after the inhale, one can go to the more difficult task of mastering retention after the exhale (bahya kumbhaka). This is done through a deepened understanding of the bandhas (locks or bridges) located at the perineum (mula), abdomen (uddiyana), and chin (jalandhara). Bahya kumbhaka and the bandhas should be first learned under the guidance of a teacher. 4. Place (Desha) - Important in pranayama practice is beginning to understand where to control the breath in the body. Different practices have different locations: for example, alternate nostril breathing is focused at the nostrils, ujjayi at the throat, sheetali at tongue, bhastrika at the abdomen, and others up and down the spine etc. Understanding the place of origin in the pranayama will help to train the focus of the mind to that particular spot. 5. Time (Kala) - The length of the exhalation, inhalation, and transition are also consciously regulated. The duration of time is a crucial part of establishing ratios of breathing to control the breath. The inhales and exhales can be even (1:1), or one can begin to double the length of the exhalation to the inhalation (2:1). Ease in these extended ratios begins to prepare the mind for meditation, transcending the more gross breath, and establishing more subtle depths in concentration. 6. Count (Sankhya) - The count, or the number of times one does the pranayama, whether simply counting the inhales and exhales together in diaphragmatic breathing, or counting rounds of alternate nostril breathing, are gradually increased as one becomes more comfortable and proficient. If the practitioner is able to maintain a smooth and deep breath throughout the counts, then one can gradual increase the number of times. To begin with, 3 rounds is recommended for any pranayama to gain familiarity. 7. Complete Focus (Paridrishtah) - Eventually, as one begins to practice pranayama and attention to breath more frequently, we learn how to concentrate the mind completely on the touch of prana itself. This concentration at the place of prana is known as prana sthana, and begins to bring the practitioner into deeper understanding that physical breathing and prana are innately intertwined, but not the same thing. The most powerful prana sthana is the center of the heart. Once we accumulate prana through the practice, we can then direct the prana to the heart center, or to any other place in the body that may need healing. 8. Long (Dirgha) - We all know and practice in the very beginning the lengthening and smoothing out of the breath. This long and uniform quality of the breath will become our greatest friend in observing the mind fluctuations and regulating the nervous system. 9. Smooth/Subtle (Sukshma) - Eventually, when we find the that breath is truly subtle, quiet and deep within, the rough waves of the mind begin to quiet down. Mind and breath are so deeply interrelated, you cannot separate one from the other. Whatever is happening in the mind, manifests in the breath. By learning to establish the subtle breath, the mind becomes a fit vehicle to enter deeper and longer … Continue reading Y.S. 2.40 – How to Be a Master of Breath (Pranayama) | Article

Beauty and the Breath: The Pranic Body

Athaasane dridhe yogee vashee hitamitaashanaha. Guroopadishtamaargena praanaayaamaansamabhyset. Thus being established in asana and having control (of the body), taking a balanced diet; pranayamas should be practiced according to the instruction of the guru. -  Hatha Yoga Pradipika (2:1) Pranayama is the fourth rung as identified by Patanjali's 8 rungs (Ashtanga) of Yoga. Prana is linked to to vital force that exists in all things, whether animate or inanimate. And although pranayama is defined as 'control over the breath', the implications are much more subtle.  According to Yoga philosophy, the human body is comprised of five sheaths: 1. Annamaya kosha: material body 2. Pranamaya kosha: vital energy (breath) body 3. Manomaya kosha: lower mental body 4. Vijnanamaya kosha: higher mental (discernment) body 5. Anandamaya kosha: transcendental or bliss body The koshas move from gross to subtle, and the pranamaya kosha is seen as the link between the body and the mind. So, if we modify our breath, we have the capacity to control both subtle and gross aspects of our human existence. Prana is of indescribable importance, and once we tune in to the subtler aspects of our Self, we can begin to remove the veil that so aptly blocks our inner light. Prana flows through approximately 72,000 nadis (energy channels) within our body. The pranayama kosha is made up of five major pranas: 1. Prana: the force by which breath is drawn inside, it is the flow of energy governing the thoracic area between the larynx and top of diaphragm, associated with the heart and organs of respiration, (not cosmic prana)  2. Apana: the force which expels the breath, concerned with the expulsion of waste, governs the abdomen below the navel region, provides energy for large intestine, kidneys, anus and genitals 3. Samana: the force which is related to kundalini and expansion of consciousness,  related to assimilation and distribution of nutrients, located between heart and navel, activates and controls digestive system while being responsible for transformation 4. Udana: the force which is related to sensory awareness and one's ability to respond to outside world, governs neck and head, harmonizes and activates the limbs, responsible for erect posture 5. Vyana: the  force that acts as a reserve for all other pranas, pervades entire body, regulates and controls all movement, coordinates all other pranas