Y.S. 2.40 – How to Be a Master of Breath (Pranayama) | Article

बाह्याभ्यन्तरस्तम्भवृत्तिर्देशकालसंख्याभिः परिदृष्टो दीर्घसूक्ष्मः॥५०॥ bāhya-ābhyantara-sthambha vr̥ttiḥ deśa-kāla-sankhyābhiḥ paridr̥ṣṭo dīrgha-sūkṣmaḥ  Pranayama manifests as external, internal, and restrained movements of breath. These are regulated and made long and subtle in accordance to place, time, and number. bahya = externalabhyantara = internalstambha = holding, restraint, suspension, stationary, retention, cessation, transitionvrittih = operations, activities, fluctuations, modifications, changes, or various forms of the mind-fielddesha = place, spot, space, locationkala = time, period, durationsankhyabhih = number, count ofparidrishtah = regulated by, observed by, concentrateddirgha = made long, prolonged, slowsukshmah = and subtle, fine When we master breath, we master life itself. This is the belief of the yogis, and tested throughout millennia are the practices presented to us known as pranayama. While asana reduces rajas or restlessness and agitation, pranayama helps to eradicate the tamasic or dull, heavy, delusional qualities of the mind to bring it back to its original inner radiance (sattva). Patanjali highlights 9 parameters for mastery over the pranic force: 1. Exhalation - T. Krishnamacharya said that there is nothing one cannot achieve if one has complete mastery over the exhalation (rechaka). And this is the starting place for us as Patanjali advises. We must first master a slow, long, deep and subtle exhalation, removing all pauses and jerkiness in the breath. That is why all yoga practices begin with learning diaphragmatic breathing, rather than chest breathing, which ensures proper relaxation of the parasympathetic nervous system, as well as the ability to gain a deeper understanding of our mind states. By having a complete and deep exhalation, we empty the stale air from the lungs and increase our capacity for the inhalation as well. Exhalations then become like a tel dhara, or an unbroken stream of oil. One of the best ways to expand our exhalation capacity is to use sound or omkara (chanting the mantra OM) 2. Inhalation - Next, once exhalations have been mastered, Patanjali advises to begin to master our capacity for longer, deeper inhalations (puraka). Inhalations are taken into the body as though one is drinking water from a lily stem - a smooth, unbroken, cool, refreshing stream of prana. Shitali pranayama can be an excellent way to begin to learn to draw the breath in a gracious manner. Like the exhalations, this stream can be trained to remove any jerks or pauses 3. Breath Retention - Breath retention or kumbhaka begins to enter the realm of more advanced pranayama practices - ones that are entirely necessary to be successful in entering the deeper layers of not only the internal organs, but also the subtle pranic body (pranamaya kosha). After mastering the exhalation, then the inhalation, the practitioner (yogabhyasi) begins to work on retaining the breath after inhalation for a pause (antara kumbhaka), felt more in the upper chest region. Eventually, one can practice sama vritti - or the same count for exhale:inhale:retention for at least a count of 5:5:5. When one has really mastered the retention after the inhale, one can go to the more difficult task of mastering retention after the exhale (bahya kumbhaka). This is done through a deepened understanding of the bandhas (locks or bridges) located at the perineum (mula), abdomen (uddiyana), and chin (jalandhara). Bahya kumbhaka and the bandhas should be first learned under the guidance of a teacher. 4. Place (Desha) - Important in pranayama practice is beginning to understand where to control the breath in the body. Different practices have different locations: for example, alternate nostril breathing is focused at the nostrils, ujjayi at the throat, sheetali at tongue, bhastrika at the abdomen, and others up and down the spine etc. Understanding the place of origin in the pranayama will help to train the focus of the mind to that particular spot. 5. Time (Kala) - The length of the exhalation, inhalation, and transition are also consciously regulated. The duration of time is a crucial part of establishing ratios of breathing to control the breath. The inhales and exhales can be even (1:1), or one can begin to double the length of the exhalation to the inhalation (2:1). Ease in these extended ratios begins to prepare the mind for meditation, transcending the more gross breath, and establishing more subtle depths in concentration. 6. Count (Sankhya) - The count, or the number of times one does the pranayama, whether simply counting the inhales and exhales together in diaphragmatic breathing, or counting rounds of alternate nostril breathing, are gradually increased as one becomes more comfortable and proficient. If the practitioner is able to maintain a smooth and deep breath throughout the counts, then one can gradual increase the number of times. To begin with, 3 rounds is recommended for any pranayama to gain familiarity. 7. Complete Focus (Paridrishtah) - Eventually, as one begins to practice pranayama and attention to breath more frequently, we learn how to concentrate the mind completely on the touch of prana itself. This concentration at the place of prana is known as prana sthana, and begins to bring the practitioner into deeper understanding that physical breathing and prana are innately intertwined, but not the same thing. The most powerful prana sthana is the center of the heart. Once we accumulate prana through the practice, we can then direct the prana to the heart center, or to any other place in the body that may need healing. 8. Long (Dirgha) - We all know and practice in the very beginning the lengthening and smoothing out of the breath. This long and uniform quality of the breath will become our greatest friend in observing the mind fluctuations and regulating the nervous system. 9. Smooth/Subtle (Sukshma) - Eventually, when we find the that breath is truly subtle, quiet and deep within, the rough waves of the mind begin to quiet down. Mind and breath are so deeply interrelated, you cannot separate one from the other. Whatever is happening in the mind, manifests in the breath. By learning to establish the subtle breath, the mind becomes a fit vehicle to enter deeper and longer … Continue reading Y.S. 2.40 – How to Be a Master of Breath (Pranayama) | Article

Nadi Shodhana Tutorial |Video

Here is a step by step tutorial on alternate nostril breathing, an excellent pranayama for balancing the mind and preparing for meditation. Three techniques are given for basic to intermediate practice, including breath retention and without use of hands. Read more about this pranayama's benefits in my previous post about Nadi Shodhana https://youtu.be/dSMaB1vIn0g Duration: 15 minutes

Yoga for Cultivating Inner Fire |Video

This is a stimulating practice for the navel center, using both asana and pranayama to access the energy of fire within and heat up the body while developing balance and focus of the mind. Duration: 72 Minutes             Level: II https://www.youtube.com/watch?v=qgscQ1WtTOs&w=560&h=315

Ujjayi – The Whispered Breath

When hearing Ujjayi for the first time, many are reminded of their first Star Wars viewing, with Darth Vader breathing heavily into his mask, telling Luke the truth of his identity. Who knows if the source of inspiration for Darth Vader's voice was taken from yoga science, but Ujjayi is a pranayama worth examining and exploring in depth.... When you first begin the path of Yoga, you may noticed an extreme amount of emphasis on the breath. Yoga, meaning union, strives to find cohesion between the body and the mind, and the breath serves as a vehicle to unite the two. You can imagine the breath as the chain links that connect one to the other, thereby having a tremendous influence on both mind and body. Ujjayi is extremely helpful when first attempting to cultivate breath awareness, and to match the breath with the movements of the body. Often times, beginning practitioners are confused with their inhalations and exhalations, and using an audible breath allows the senses to tune into the motion of the breath as you flow in and out of postures. Ujjayi breathing is a pranayama practice described in the Hatha Yoga Pradipika. The word ujjayi means “victorious”—from the verb ujji meaning “to conquer or acquire by conquest.”The great thing about Ujjayi is it's versatility. It can be done while sitting, walking, during your asana, or even waiting in line (as long as you don't mind a few looks from your neighbors!!). Benefits: Ujjayi slows and deepens the breath and tones the muscles of respiration. It is said to be helpful therapeutically in the treatment of tonsillitis, sore throat, chronic cold, and bronchial asthma. It is used to prevent throat ailments of various kinds. And it is helpful for relieving anxiety by slowing down the breath and calming the nervous sytem. Contraindications Stop practicing Ujjayi if you feel light headed or dizzy, moving back to your diaphragmatic breath instead. The Practice: 1. Sit in a comfortable seated pose, with your head neck and trunk aligned. Inhale and exhale deeply with your nose, using the diaphragm, instead of your chest to breathe. You will feel your lower abdomen, sides of the ribcage, and lower back expanding and contracting with your breath. 2. On the exhales, begin to tone the back of the throat, slightly constricting the passage of air. Try partially closing the glottis, the aperture in the throat just behind the larynx. The glottis is contracted when you whisper, so if you are having trouble first whisper a few words to isolate the action in your throat, and then eliminate the words all together. 3. Once you are comfortable with the exhale, begin to apply the same toning of the throat to the inhales. This is the full Ujjayi pranayama. You may notice how the sound you are making resembles that of the sound of the waves in a conch shell. 5. Now start to use this breath during your practice. Ujjayi is an excellent preparation for meditation, allowing us to hone in on and deepen the breath first, and then let it go as we move in to our meditation practice. ...And who knows, maybe the source of Darth Vader's power was in his breath after all!

Nadi Shodhanam – Breath of Balance

I have to contain my excitement while writing this post because I LOVE nadi shodhanam. I truly believe it is the most powerful pranayama practice, facilitating the use of the breath to delve deep into your meditation. Not to mention the overabundant benefits in your everyday life. Admit it - We take breathing for granted. Can you guess how many breaths you take in one day? OVER 15,000!! So when we talk about balance, we have to begin with the vehicle that drives that very stability not only in the physical plane, but the subtle as well. Humans always struggle with imbalance in their lives, and the root of that imbalance comes from fighting to stabilize the male and female principles within us. And that steadiness can only be achieved with creating homeostasis within the breath first. Nadi Shodhanam taps into the idea of nostril dominance - the nostrils alternate dominance every 90 to 120 minutes, where the air passes more freely through one nostril than the other, making it the active nostril and the other passive. If you close your eyes and just pay attention to the flow of breath within your nostrils, you will be able to pick out which one is dominant right now - this awareness is one of the pillars of the Nadi Shodhanam practice. Nadi Shodhanam literally means 'channel purification' and is also known as alternate nostril breathing. This pranayama strives to balance the subtle energy channels known as the nadis (72,000 in total - see Beauty and the Breath). The three main nadis that run the length of the spine, starting at the muladhara chakra and enervating the next 5 chakras, are ida, pingala, and sushumna (pronounced sha - shoom - na). The ida nadi terminates in the left nostril, the pingala in the right, and sushumna runs up the center of the spine and terminates at the base of the skull, specifically at the 6th or Ajna Chakra (pronounced A-gya). It is only active when both nostrils are balanced and flowing freely (something that you will see is very difficult to attain and maintain!). Once one is fully rested in sushumna, then the real practice of meditation begins! The symbol for medicine: the Caduceus. A direct representation of the ancient knowledge of the nadis Left Nostril Dominance Right Nostril Dominance Female                                                           Male Receptive                                                      Active Cooling                                                          Increased Body Heat Nourishing                                                     Expending Energy Elimination of Toxins                                   Strength Meditation                                                      Digestion/Hunger Creative                                                         Analytical Lunar                                                              Solar Benefits Unblocks and balances flow of vital energy in left and right channels of spine Calms the nervous system Promotes a clear, calm and tranquil mind - helps overcome mood swings Eliminates impurities in physical and subtle channels of the body Excellent preparation for meditation Points of Practice 1. Sit in a posture that keeps the head neck and torso upright and aligned, facilitating ease in diaphragmatic breathing (Sukhasana, siddhasana, vajrasana etc.) 2. Use Vishnu Mudra (right hand) to alternate opening and closing of nostrils                                                                                  Vishnu Mudra 3. Block one nostril and exhale and inhale evenly and smoothly through the opposite nostril. 4. Then change nostrils and exhale and inhale again, maintaining the same breath count. 5. Repeat until you have taken three breaths through both nostrils, ending with alternate nostril. 6. Then lower the hand and breathe three times through both nostrils. This constitutes one round. 7. Repeat two more rounds. Click here to listen to a fantastic audio instruction of Nadi shodhanam provided by one of the best institutions on yoga science and philosophy, the Himalayan Institute. Use the Illustration below to help guide your nadi shodhanam practice:

Beauty and the Breath: The Pranic Body

Athaasane dridhe yogee vashee hitamitaashanaha. Guroopadishtamaargena praanaayaamaansamabhyset. Thus being established in asana and having control (of the body), taking a balanced diet; pranayamas should be practiced according to the instruction of the guru. -  Hatha Yoga Pradipika (2:1) Pranayama is the fourth rung as identified by Patanjali's 8 rungs (Ashtanga) of Yoga. Prana is linked to to vital force that exists in all things, whether animate or inanimate. And although pranayama is defined as 'control over the breath', the implications are much more subtle.  According to Yoga philosophy, the human body is comprised of five sheaths: 1. Annamaya kosha: material body 2. Pranamaya kosha: vital energy (breath) body 3. Manomaya kosha: lower mental body 4. Vijnanamaya kosha: higher mental (discernment) body 5. Anandamaya kosha: transcendental or bliss body The koshas move from gross to subtle, and the pranamaya kosha is seen as the link between the body and the mind. So, if we modify our breath, we have the capacity to control both subtle and gross aspects of our human existence. Prana is of indescribable importance, and once we tune in to the subtler aspects of our Self, we can begin to remove the veil that so aptly blocks our inner light. Prana flows through approximately 72,000 nadis (energy channels) within our body. The pranayama kosha is made up of five major pranas: 1. Prana: the force by which breath is drawn inside, it is the flow of energy governing the thoracic area between the larynx and top of diaphragm, associated with the heart and organs of respiration, (not cosmic prana)  2. Apana: the force which expels the breath, concerned with the expulsion of waste, governs the abdomen below the navel region, provides energy for large intestine, kidneys, anus and genitals 3. Samana: the force which is related to kundalini and expansion of consciousness,  related to assimilation and distribution of nutrients, located between heart and navel, activates and controls digestive system while being responsible for transformation 4. Udana: the force which is related to sensory awareness and one's ability to respond to outside world, governs neck and head, harmonizes and activates the limbs, responsible for erect posture 5. Vyana: the  force that acts as a reserve for all other pranas, pervades entire body, regulates and controls all movement, coordinates all other pranas